Compare Fashion in 19th century to contemporary form of popular Research Paper

Compare Fashion in 19th century to contemporary form of popular culture - Research Paper Example The paper pays interests to the kinds of people who participated in this culture, their socioeconomic and cultural context, material practices involved, spaces needed for culture, and the purpose of the cultures to their participants. This paper compares and contrasts the two popular cultures; literary writing and cyber culture. Popular culture refers to intricate assembly of ideas, perspectives, fads, attitudes, images, and values widely practiced by the mainstream population in a given culture. Popular can also entail culture oriented for the market, which is spread via mass media. Popular culture arises from universal exposure to the same media (Hinds, Motz and Nelson 3). Popular culture permeates everyday lives of large segments of people giving them identity. Popular culture affects and consensually informs interests among mainstream population (Boehm 37). Various desires of the masses make up popular culture in the contemporary world. Counter cultural groups and religious groups criticize popular culture because it is shallow, consumerist, melodramatic, and contaminated. However, consumers of popular culture oppose indoctrination and negative view points from critics. Fashion in the 19th Century Literature This includes writing styles and literary genres such as creative writing, popular science, drama, romance, poetry, thrillers, comic books, letters, and crime fiction. Prior to 19th century, the literary economy did not have a stabilized audience for literary goods. With infiltration of literary as a mainstream culture in mid- 19th century, authors could now afford to support themselves from writing. This from of culture in 19th century accommodated different audiences and authors. Most of the literature and writings exhibited varying styles occasioned by prevailing ethos, periods or movements. Literary writing responded to the culture of the family centred middle class. Most of the literary writings of 19th century were metropolitan each addressing an audience (Patell 18). For instance, there were children books mostly dwelling on comic and literature for scholars such as scientific writings. Children literature expressed practical advice and enhanced moral and spiritual growth. The Comic in both books and newspapers came in different shapes, colours and sizes. They both used humor expressed in basic and straight drawings. Similarly, domestic fiction’s chief audience were women. The literary space paid homage to family space; men’s, women’s, and children’s world as well as historical. The literary writings highlighted domestic culture as they addressed socially distinct audiences. Literature provided spaces for reading and writing. Each space attracted a distinctly constituted audience. The divergence of audiences experienced its own cultural forces hence bestowing contrasting value and support. Literary writing of the 19th century provided open-spaces for re engagement with the society. The culture illuminated the culture of the peoples constructively. Literary writings of the 19th century documented historical truths of the society and aided in reconstitution of new cultures e.g. advancing the debate on slavery and racial equality which eventually led to civil rights movements (Patell 22). This culture was amplified by nationalism, in a special way; it articulated the prevailing anxiety on cultural dependency that had endured political independence. The literary market of 19th century was boosted by the vitality of middle-class literary taste. The literary works did no longer enumerate and support class defining values. This heralded a new organization of consumption, purely for entertainment. Some of the audience were working class with